Adopting the space in character.

We placed the set and then all came to one side. As called, one lot of character would enter the stage, for example, all the Judge Bracks would enter the stage and adopt it as if they were just living in the world, in character. Slowly, different characters ended up being on stage with different characters and you could see the clear dynamic changing. One example of this was when all Thea's were on stage with all Heddas. The dynamic was then an intimidation environment where all Theas were suddenly less comfortable in the space. I found this helpful, as it made me realise my body language, when on stage with different characters. It also helped me to explore the set, in character, without being restricted to the blocking of my scene.